19/06/2018

Live Programme and Commissioned Works / Talks, Lectures, and Films / Talks and Film Tickets

Dear Friends of Pop-Kultur!

Our programme is now complete, and it includes a total of about 100 events – phew!

Additions to the Live Programme

Before we offer a little glimpse into our programme of talk, panel, film, and exhibitions, there’s some big news on the live music front: The Last Poets are coming to perform for us. This group of African-American musicians and poets was founded in 1968 in Harlem. If it hadn’t been for them, it wouldn’t have been for rap, basically. Also new to the programme: North America’s … And You Will Know Us by the Trail of Dead, Belgium’s Choolers Division, and Norway’s Sassy 009.

Talks and Lectures

The social, cultural, political and economic action of boycotting has been a recurring theme throughout the life of Israeli writer Lizzie Doron, who will speak with Klaus Lederer, Berlin’s Senator for Culture and Media, on the first evening of the festival. Here Lederer summarises the topic from his perspective: »Is the boycott of art and of cultural exchange an effective method of bringing about change and rapprochement in a complex conflict? I doubt it very much. Such boycotts harden fronts where art dialogues might make progress. Calls for boycott against Israel are defined by demonisation and double standards, and they serve and promote anti-semitic thinking patterns«. Meanwhile, the author Josefine Rieks (»Serverland«) promises »a combination of contemporary lecture und classic YouTube party«, and more talks traverse topics like the disappearance of subcultural spaces (Kosmetiksalon Babette, Jonny Knüppel) and the new communication style between fans and artists (one of the talks initiated by journalist Salwa Houmsi, with rapper Ahzjumjot and Backspin editor-in-chief Kevin Rühländer) or act as components of our commissioned works.

Commissioned Works

In the commissioned work »Pop-Hayat« curated by Yeşim Duman, the Golden Pudel resident, ByteFM presenter, female:pressure activist, and event organiser condenses her involvement in the queer club scene and the post-migrant discourse, bringing a diverse array of creative types onto the stages of our festival. Her project encompasses a screening of the film »Shakedown« as well as round-table discussions with writer Fatma Aydemir, rapper Lady Bitch Ray, MISSY Magazine journalist Hengameh Yaghoobifarah, and the artists Ebru Düzgün aka Ebow aka Gaddafi Gals. As another part of »Pop-Hayat«, we will set up the installation »T-Unlimited – the Pop-Hayat Çaystube« by the Berlin artist Nuray Demir in front of the Soda Club. And we’ve even put Friday night’s closing party at Frannz Club in Duman’s hands.

When in doubt, Lydia Lunch has always been in favor of being against things. Fittingly, the movement she and her contemporaries built in late-1970s New York was called No Wave. Because punk didn’t go far enough in its break with rock’n’roll, Lunch and her kindred spirits pushed the abandoned genre to its extreme, i.e. until it was on its very head. So where was No Wave headed, and where is it heading now? Lunch will answer these questions via a special commissioned work, a discussion, and a workshop.

Irmin Schmidt played with the best band in the world and hasn’t stopped writing »Musikgeschichten« [»Music Stories«] since. On three evenings at Pop-Kultur, he will share memories from a long life and show films that he himself or his band CAN set to music. Alongside screenings of »Mord in Eberswalde« [»Murder in Eberswalde«] and »Deadlock«, Schmidt will speak with Stephan Wagner, the director of the »Mord in Eberswalde«, about the movie’s soundtrack. TAZ editor Ulrich Gutmair will present the composer with recordings of unfamiliar music, and Schmidt will speak with the writer Max Dax about the recently-published band biography »All Gates Open: The Story of Can«.

The Full Programme

For detailed information about all programme elements, including those we couldn’t mention here because of limited space, visit our website—plus we’re also pretty darn active on Facebook and Instagram.

Tickets for Talks and Films

As was the case last year, we’re offering tickets—one for each of the three festival days—that allow entrance to all the given day’s talks and film screenings. They cost €5 + fees.

Pop-Kultur Nachwuchs

The deadline for our »Pop-Kultur Nachwuchs« workshop programme has passed. We’re looking forward to reviewing 779 applications from 63 countries and to welcoming illustrious mentors such as moderator Salwa Houmsi and artists such as ANDRRA, Balbina, Ilgen-Nur, International Music, Swutscher, and Vivien Goldman.

Pop-Kultur Lokal

The series »Pop-Kultur lokal«, which until now has taken place at Monarch and Refugio Berlin, will make another stop on June 20th at Schrippe Hawaii with the event »Mash Banger«. See you there!

Best wishes,

Pop-Kultur

Dear Friends of Pop-Kultur!

Our programme is now complete, and it includes a total of about 100 events – phew!

Additions to the Live Programme

Before we offer a little glimpse into our programme of talk, panel, film, and exhibitions, there’s some big news on the live music front: The Last Poets are coming to perform for us. This group of African-American musicians and poets was founded in 1968 in Harlem. If it hadn’t been for them, it wouldn’t have been for rap, basically. Also new to the programme: North America’s … And You Will Know Us by the Trail of Dead, Belgium’s Choolers Division, and Norway’s Sassy 009.

Talks and Lectures

The social, cultural, political and economic action of boycotting has been a recurring theme throughout the life of Israeli writer Lizzie Doron, who will speak with Klaus Lederer, Berlin’s Senator for Culture and Media, on the first evening of the festival. Here Lederer summarises the topic from his perspective: »Is the boycott of art and of cultural exchange an effective method of bringing about change and rapprochement in a complex conflict? I doubt it very much. Such boycotts harden fronts where art dialogues might make progress. Calls for boycott against Israel are defined by demonisation and double standards, and they serve and promote anti-semitic thinking patterns«. Meanwhile, the author Josefine Rieks (»Serverland«) promises »a combination of contemporary lecture und classic YouTube party«, and more talks traverse topics like the disappearance of subcultural spaces (Kosmetiksalon Babette, Jonny Knüppel) and the new communication style between fans and artists (one of the talks initiated by journalist Salwa Houmsi, with rapper Ahzjumjot and Backspin editor-in-chief Kevin Rühländer) or act as components of our commissioned works.

Commissioned Works

In the commissioned work »Pop-Hayat« curated by Yeşim Duman, the Golden Pudel resident, ByteFM presenter, female:pressure activist, and event organiser condenses her involvement in the queer club scene and the post-migrant discourse, bringing a diverse array of creative types onto the stages of our festival. Her project encompasses a screening of the film »Shakedown« as well as round-table discussions with writer Fatma Aydemir, rapper Lady Bitch Ray, MISSY Magazine journalist Hengameh Yaghoobifarah, and the artists Ebru Düzgün aka Ebow aka Gaddafi Gals. As another part of »Pop-Hayat«, we will set up the installation »T-Unlimited – the Pop-Hayat Çaystube« by the Berlin artist Nuray Demir in front of the Soda Club. And we’ve even put Friday night’s closing party at Frannz Club in Duman’s hands.

When in doubt, Lydia Lunch has always been in favor of being against things. Fittingly, the movement she and her contemporaries built in late-1970s New York was called No Wave. Because punk didn’t go far enough in its break with rock’n’roll, Lunch and her kindred spirits pushed the abandoned genre to its extreme, i.e. until it was on its very head. So where was No Wave headed, and where is it heading now? Lunch will answer these questions via a special commissioned work, a discussion, and a workshop.

Irmin Schmidt played with the best band in the world and hasn’t stopped writing »Musikgeschichten« [»Music Stories«] since. On three evenings at Pop-Kultur, he will share memories from a long life and show films that he himself or his band CAN set to music. Alongside screenings of »Mord in Eberswalde« [»Murder in Eberswalde«] and »Deadlock«, Schmidt will speak with Stephan Wagner, the director of the »Mord in Eberswalde«, about the movie’s soundtrack. TAZ editor Ulrich Gutmair will present the composer with recordings of unfamiliar music, and Schmidt will speak with the writer Max Dax about the recently-published band biography »All Gates Open: The Story of Can«.

The Full Programme

For detailed information about all programme elements, including those we couldn’t mention here because of limited space, visit our website—plus we’re also pretty darn active on Facebook and Instagram.

Tickets for Talks and Films

As was the case last year, we’re offering tickets—one for each of the three festival days—that allow entrance to all the given day’s talks and film screenings. They cost €5 + fees.

Pop-Kultur Nachwuchs

The deadline for our »Pop-Kultur Nachwuchs« workshop programme has passed. We’re looking forward to reviewing 779 applications from 63 countries and to welcoming illustrious mentors such as moderator Salwa Houmsi and artists such as ANDRRA, Balbina, Ilgen-Nur, International Music, Swutscher, and Vivien Goldman.

Pop-Kultur Lokal

The series »Pop-Kultur lokal«, which until now has taken place at Monarch and Refugio Berlin, will make another stop on June 20th at Schrippe Hawaii with the event »Mash Banger«. See you there!

Best wishes,

Pop-Kultur